It has been a long while since the public caught a glimpse of Daniel Day-Lewis. After he announcement in 2017 that he would cease to work as an actor, just before the release of Phantom Thread, Day-Lewis withdrew from the spotlight. Yet, during his hiatus, his reputation has only grown.
Largely, this reputation revolves around his favored approach to roles. Being an actor known for immerses himself in the roles he plays – for example, while filming the Lincoln biopic, reportedly asked Steven Spielberg address him as “Mr President” throughout the shoot – the world has become increasingly obsessed with how he works. Is it true he really send messages to co-star Sally Field as Abraham Lincoln? Did he consumed solely animals he’d killed for Last of the Mohicans? Did he insist on receiving food via spoon for My Left Foot?
Madness in their method: has the public fallen out of love with over-the-top performances?
Currently, Day-Lewis is back in the limelight, somewhat reluctantly, for his new film Anemone. And he is taking this chance to vocalise his anger regarding how the Method technique is viewed. “I’m a little cross nowadays when I hear various individuals gobbling off and saying things like ‘fully embraced the Method’, which seems suggests that someone is acting insane in a drastic way,” he told the New York Times. “Everyone tends to focus on the less important details of the work, and those details typically include some sort of self-punishment or an experience that causes a severe discomfort or mental instability. However, in the life of an actor, it must principally be about the internal work.”
To be honest, this sounds as if Day-Lewis has come out from his retreat and found himself shocked by the world that has been created in his image. When you are widely considered one of the greatest performers in history, and your process involves headbutting a dummy to the point of injury (for Gangs of New York) or enduring two days in isolation deprived of sustenance (for In the Name of the Father), it’s natural that fellow performers will want to fill that vacuum by trying to mimic your hero.
In other words, we exist in an environment populated by half-cocked imitators of Day-Lewis who strive only to demonstrate the extensive degree of effort they put into their roles. On the milder side of the pool there are performers such as Lady Gaga, who was determined to earn an Academy Award for House of Gucci that she dedicated the whole campaign attempting to persuade people that she became functionally Italian for a year and a half in preparation.
Then we have Jared Leto, who chose to immerse himself into the role as the Joker (in Suicide Squad) by sending “horrifying” presents to his castmates. These, depending on who you ask, included dead pigs and rats to anal beads and personal hygiene products, although Leto denied the most extreme claims. Then, naturally, we have Jim Carrey, who went so deep as Andy Kaufman during Man on the Moon that they succeeded to get a full-length documentary from behind-the-scenes footage of him causing difficulties to the utmost for everyone around him.
The foremost Method Guy currently would appear to be Jeremy Strong (once Day-Lewis’s assistant), whose process while filming Succession was so laboriously intensive that it became the basis of a derisive magazine feature, full of quotes from individuals who were worried for his behaviour (“It’s the cost on himself that worries me,” remarked Brian Cox) or extremely irritated by his actions (“I recall him causing others roll their eyes,” stated an unnamed co-star).
The actor claims he ‘never intended to retire, truly’
We have so many other examples. Andrew Garfield went celibate for six months while preparing for Silence. Leonardo DiCaprio rested inside a dead animal during The Revenant. It’s quite possible that actor Austin Butler still speaks in the style of Elvis, three years after the movie’s release. Each of these instances, in part, is meant to invoke the seriousness with which Day-Lewis approaches his craft.
Moreover, although his rebuttal to critics of the Method could be commendable, a short publicity tour might not be enough to change anyone’s mind, let alone their behaviour. Maybe if he wants to make audiences recall what method acting is, or to demonstrate its potential results, then Day-Lewis’s best bet is to simply start making additional movies. Surely everyone would support that idea.
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